The nature of Monkey was irrepressible!

This article started as a nerdy dive into a 16th century Chinese novel which was the source and inspiration for the Japanese TV show Monkey, popular in the 1980s. However the article also became a bit of a nostalgia trip and now includes some thoughts on how the novel was adapted for TV as well as a few notes about its cast, characters and production.

In summary, the television drama was based on the 16th century Chinese novel Journey to the West by Wu Cheng’en. The English translator, Arthur Waley, managed to reduce it to around a third of its original length, condensing its hundred or so chapters into around thirty, and turning it into a picaresque adventure story that won the James Tait Black Memorial Prize in 1942. A children’s version was published under the title Dear Monkey. An American children’s version was called The Adventures of Monkey.

The novel is a fictionalized account of a real pilgrimage nearly 1000 years earlier by a 7th century Chinese Buddhist monk who journeyed to India in 629 AD to seek out and collect Buddhist scriptures (aka sutras).

The real 7th century monk was called Hiuen Tsang, also known by his religious name of Xuanzang (born 602, died 664 AD). Xuanzang’s account of his journey and experiences appears in Great Tang Records on the Western Regions.

The Tang Dynasty ran from 618 to 907 AD. Xuanzang (sometimes rendered as Sanzang) was also known as Tripitaka. Taizong of Tang, the emperor at that time, had declared that he and Xuanzang were sworn brothers and gave him the name Tripitaka when Xuanzang was about to set off on his pilgrimage. Tripitaka is named after the three sets of sutras in the West called the Tripitaka canons which were the object of his quest. Tripitaka means something like “three baskets” or “triple basket” (sometimes “three collections”), a traditional term for certain ancient collections of Buddhist sacred scriptures. (I like to think that if we were to give him a street name today, Tripitaka would become something like ‘Jimmy Three Bags’.)

Fast forward nine centuries to 1592 when the Chinese novel Journey to the West was published, around the time that Shakespeare was writing his early history plays in England. The fictional monk in this 16th century novel is called Tang Sanzang, aka Tripitaka. The novel follows the broad outline of Xuanzang’s real 7th century account but adds fantasy elements from folk tales and the author’s own imagination, following the traditional Chinese style and genre of Shenmo Xiaoshuo (Tales of Gods of Demons). It doesn’t pretend to follow historical events accurately. In this version of the story, the Buddha tasks the monk Tripitaka with journeying to India and provides him with three protectors who agree to help him in order to atone for their sins. One of these disciples is Monkey, with the given name Sun Wukong. In the novel, Monkey is the main character and acts as protector and guardian to the rest of the gang.

That novel formed the basis for script development for the TV series Monkey. Nippon Television (NTV) commissioned the project in 1978 to celebrate the network’s 25th anniversary. It was produced in association with International Television Films and filmed mostly in Northwest China and Inner Mongolia with additional scenes shot in Japan for interior and studio work.

In Japan, the show was called Saiyuki, which means ‘Account of the Journey to the West’. It is titled ‘Monkey’ in the English version but is sometimes referred to as ‘Monkey Magic’ because of the lyrics of its title music Monki Majikku by Japanese rock band Godiego.

At the time of writing this article (January 2026), Masaaki Sakai, the actor who played Monkey, is the only cast member still alive. The full cast was:

Tripitaka (Tang Sanzang): Masako Natsume. Died aged 27 in 1985 from leukaemia. Voiced by Maria Warburg. Tripitaka is a young male priest. The director said he chose to have an actress play the character in order to better express his innocence. Another reason given for the male Tripitaka character being played by a woman in the series was that actress Masako Natsume matched descriptions of Tsang’s appearance more closely than male actors. Symbolically, Tripitaka had achieved the Buddhist goal of enlightenment and in the TV show he appears androgynous or beyond gender. The Buddha himself and various celestial beings – guides and messengers – appear with a reverse gender and are shown in female form.

Monkey (Sun Wukong): Masaaki Sakai. Born 6 August 1946. His voice was dubbed into English by David Collings. Collings had also voiced Legolas in the 1981 BBC radio serial adaptation of Lord of the Rings.

Pigsy (Zhu Bajie): The first Pigsy, Toshiyuki Nishida, was born 4 Nov 1947 and died 17 Oct 2024. The second Pigsy, Tonpei Hidari, was born 30 May 1937 and died 24 Feb 2018. Voiced by Peter Woodthorpe. Woodthorpe previously voiced Gollum in the 1981 BBC radio version of Lord of the Rings.

Sandy (Sha Wujing): Shiro Kishibe. Born 7 June 1949 and died 28 Aug 2020. Voiced by Gareth Armstrong,

Horse (Bai Long Ma): Shunji Fujimura. Born 8 Dec 1934 and died 25 Jan 2017. Voiced by Andrew Sachs. This character was a dragon prince who was banished and forced to serve as Tripitaka’s horse, appearing only occasionally in human form. ‘Bai Long Ma’ means ‘White Dragon Horse’.

Miriam Margolyes voiced many of the female characters.

Frank Duncan was the narrator for the earlier episodes then Burt Kwouk for later episodes.

And to finish, here is the opening of Arthur Waley’s translation of the 16th century novel:

“There was a rock that since the creation of the world had been worked upon by the pure essences of Heaven and the fine savours of Earth, the vigour of sunshine and the grace of moonlight, till at last it became magically pregnant and one day split open, giving birth to a stone egg, about as big as a playing ball. Fructified by the wind it developed into a stone monkey, complete with every organ and limb.”

In the TV show, it turned into this iconic introduction:

In the worlds before Monkey, primal chaos reigned.
Heaven sought order.
But the phoenix can fly only when its feathers are grown.
The four worlds formed again and yet again,
As endless aeons wheeled and passed.
Time and the pure essences of Heaven,
the moisture of the Earth,
the powers of the sun and the moon
All worked upon a certain rock, old as creation.
And it became magically fertile.
That first egg was named “Thought”.
Tathagata Buddha, the Father Buddha, said,
“With our thoughts, we make the world.”
Elemental forces caused the egg to hatch.
From it then came a stone monkey.
The nature of Monkey was irrepressible!
—–
Author’s note: No AI was used in writing this article. It is the product of traditional research methods using a variety of sources.

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Bec and Me

Dad and daughter at her debut at The Gov yesterday, performing with 6RPM at Club Cool.

Thanks to Steve Rees for the pic.

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6RPM at Club Cool

That’s us – 6RPM. We’re on again at The Gov in the Venue for one of our favourite gigs of the year – Club Cool.

We’re third band on, playing at 12.45pm to finish off the lunch-time show with a bang.

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Chihuly Nights

Chihuly Nights at the Botanic Gardens. A surprisingly delightful experience on a cool Autumn night.

We were lucky enough to visit the Chihuly gallery in Seattle a few years ago and were impressed with his works back then. To see more of his stunning creations enhanced by their night garden settings was a bit special.

Thanks to my friend the author Aiden Bailey for the “Sapphire Star” photo. That sculpture was made in 2010. The tall one is “Lime and Lava Red Tower” made in 2021.

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Nine Years Later…..

Then and now……

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Rant Published

My recent rant “Just another day on Facebook” has been published on the online wit and humour magazine Witcraft at www.witcraft.org.

You might need to scroll down to 28 March to see it.

Thanks to editor Doug Jacquier for the inclusion.

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A Fringe Gem

Just emerged from Helios at the Adelaide Fringe, in The Yurt at the Migration Museum.

An unexpected gem of a one-man show; contemporary story-telling intertwined with ancient Greek legend.

An engrossing performance from Wright & Grainger.

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The Phantom Foundry – Part 2

Well, they did it. The industrial archeology team visited the site of the old foundry complex where I worked in the late 60s to see if they could find any remaining traces of it. Or is it now just a phantom of the past?

No one who works on the site nowadays has ever heard about it; in most cases they hadn’t been born when it closed in 1974. They work in buildings which occupy the sites of former foundry buildings and workshops but those have been considerably rebuilt, re-roofed and altered over time.

I took Photo 1 below in 1967. The old admin offices are just left of centre with the triangular roofs. To the right of them is the giant shed of No. 3 Foundry. No. 1 Foundry is behind me, No. 2 Foundry is just out of sight on the right.

Photo 2 is the same view in 2025 from ground level, courtesy of Prof Mark Duffield. The houses on the left are the same in each photo. The old structures in the foreground have been demolished. The admin offices have been rebuilt and the building that was No. 3 Foundry is out-of-view behind them. The team reported that it has been subdivided into separate units with their own entrances and, in some cases, built out frontages. The clean lines of No. 3 Foundry no longer exist.

The team commented that taken as a whole, the site provides a typical post-industrial Black Country landscape. “Once a place of productive labour it has been subdivided between various small service and supply businesses – used cars, vehicle hire, recycling, car repairs, body shops, plant and machine hire, etc – and acquired an untidy and rundown aspect.”

An outside wall of the former No 2 Foundry provided the only identifiable, physical remains of the old foundry complex. Photo 3 shows the building in 1973, taken by the Borough Surveyor and courtesy of the Sandwell Archives. Photo 4 (per Prof Duffield) shows the same view today. It has been much altered – re-roofed and rebuilt extensively. However, on the left part of the wall the team could see remnants of the original cladding. While worn and no longer legible, in 2025 this old cladding has what looks like some of the lettering that can be seen in the 1973 photo, displaying the name of the former foundry.

The contrast between Photos 4 and 5 is in some ways both sad and exciting, a potent metaphor for the passage of time and the changing nature of work and community.

Photo 1. No. 3 Foundry is the large shed on right.

Photo 2. Similar view in 2025 from ground level. Houses on left are same as in photo 1.

Photo 3. No 2 Foundry in 1973.

Photo 4. Remains of No. 2 Foundry in 2025.

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Lucia’s

Kudos to Lucia’s in the Central Market.

Just ordered coffees and cakes, flashed the card to pay and took our seats outside. The cakes arrived first, followed a couple of minutes later by the coffees, just as ordered and good as ever.

One minute later the barista comes out and checks that we ordered only two coffees.

“Sorry,” he says, “I accidentally charged you for three” and hands over a refund in cash.

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Just another day on Facebook, part 2.

Oh, my! The morning has gone already, but I’ll definitely get stuck in this afternoon, as soon as I’ve checked out these couple of posts proving the existence of Bigfoot and Nessie once and for all.
Oh, look at that clever octopus, finding his way into a bottle like that, who would have thought it? And it won’t take long to read this fascinating new evidence that the Earth is 6000 years old and that there was a worldwide flood exactly as described in Genesis.
Goodness, look at those huge, human skulls recently found by archaeologists – did giants roam the earth in ancient times? Maybe they have something to do with the secret chambers they found under the Sphinx and inside the Pyramids. Is it only me who can see these connections?
Gosh, it’s funny the way the Royal Guards handled those rude tourists and here’s a colourised version of an historic photo, that’s nice. Is climate change a hoax? This person seems to know what he’s talking about, I wonder who he is – oh, his profile is locked; never mind, I’ll read instead about how I can make a fortune buying crypto, selling stuff on Amazon and write a best-selling book in 5 minutes.
I wonder which date format is really better, day/month or month/day? And I’d better not join this metric versus imperial debate or I’ll never get anything done.
No, I don’t recognise this photo of a young person who became a Hollywood star, I’d better check no 17 on the next page. Goodness, I must be officially old because not only do I know what the antique gadget in the photo is, I had one!
Ha, that prank backfired hilariously. It’s like this other story about a bully who picked on the wrong person. It shows that karma works, like when this snooty women treated the janitor rudely, not knowing he was really the boss.
On, no! That poor lost dog, injured cat and disabled child! Can we get a share? Just look at that crazy Karen screaming at shop staff, fighting over a parking spot or arguing with a delivery driver; very different from this other young women who owned 4 houses by the time she was 20. And just look at these pets dressed in comic costumes – hilarious.
Perhaps I really shouldn’t leave my charger plugged in without a phone connected – I never knew that. And here’s 20 things I never knew about the bible, 15 mind-boggling mysteries and 10 essential travel hacks.
Shall I comment on this post about how baby boomers had it so good, move just one match to form a triangle or tackle this puzzle? After all, only a genius can solve it, and if you can answer more than 10 of these questions you have an IQ of 150. I wonder if I have time to add my answer to the existing 2.7K corrections to the obvious mis-identification of characters in the photo? No, maybe I’ll just add my opinion to this argument about wind turbines.
Gosh, the world is an amazing place. It’s this lady’s 122nd birthday, she doesn’t look a day over 60, Elon Musk is building a tunnel under the ocean from New York to London and Norway is building a floating tunnel under the sea.
Oh, here’s another fascinating story – you won’t believe what happens next!

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